Kendrick Lamar has never been one to perform without purpose. His Super Bowl halftime performance was more than just entertainment—it was a revolution, a layered statement deeply rooted in Black culture, history, and resistance. While casual viewers may have only seen an electrifying set, those who understand Kendrick’s artistry recognized the hidden messages woven throughout. Every visual, lyric, and movement carried weight, making this one of the most culturally significant halftime performances in history.
Decoding the Hidden Messages
1. The Uniforms: A Statement on Incarceration
Kendrick and his dancers wore all-black attire with “DRE DAY” sashes, paying homage to Dr. Dre while evoking the militant energy of the Black Panther Party. But the uniformity and strict choreography also mirrored prison labor—an issue Lamar has tackled in songs like The Blacker the Berry and XXX., which critique the mass incarceration system that disproportionately affects Black men. This visual statement underscored the reality that, despite success, Black artists and figures are still fighting against systemic control.
2. “Alright” – A Modern Protest Anthem
When Kendrick launched into Alright, it wasn’t just a crowd-pleaser—it was a battle cry. Since its release, the song has become an anthem for the Black Lives Matter movement, chanted at protests as a symbol of resilience. Performing it on one of the biggest stages in America, in front of millions, was a direct challenge to the establishment: despite the struggles Black people face, we gon’ be alright.
3. The Box Formation: Breaking Free from the System
Kendrick began his set inside a small, confined box, a stark metaphor for systemic oppression, mass incarceration, and the ways in which America tries to contain Black brilliance. As the performance escalated, the box was dismantled, symbolizing breaking free from these constraints—a nod to liberation and self-determination.
4. The American Flag on the Backs of Black Performers
At one point, Kendrick’s stage transformed into an image resembling the American flag, but instead of stars and stripes, it was formed by the backs of Black performers. This was a powerful visual statement: America was built on the labor, suffering, and resilience of Black people, yet they continue to fight for equality. The image reinforced the reality that Black bodies have always been the foundation of this country—on plantations, in the workforce, and in the fight for civil rights.
5. Serena Williams and the Crip Walk: Reclaiming Black Joy
The performance also carried echoes of Serena Williams’ infamous Crip Walk at Wimbledon in 2012. After winning Olympic gold, she joyfully celebrated by doing the dance, only to be ridiculed by mainstream media for “bringing gang culture” to tennis. Meanwhile, white athletes have been praised for incorporating hip-hop culture into their celebrations. Kendrick’s performance, complete with dancers doing the same move on the NFL’s biggest stage, was a reclamation of Black joy, a refusal to let coded racism dictate who gets to celebrate how.
6. SZA, Omo Yemoja, and the Water Symbolism
SZA’s performance took place on an upside-down triangle, the ancient alchemical symbol for water. This was more than just an artistic choice—it was a nod to her spiritual connection as an Omo Yemoja, a daughter of Yemoja, the Yoruba orisha of the ocean, mothering, and healing. Water has always been a powerful element in Black history, from the Middle Passage to spiritual purification in the church, and her presence underscored the sacredness of the performance.
7. “40 Acres and a Mule” – The Weight of Generational Betrayal
One of the most powerful lines in Kendrick’s set was:
“40 acres and a mule, this is bigger than the music.
They tried to rig the game, but you can’t fake influence.”
This referenced the broken promise of Reconstruction, when newly freed Black people were promised land (40 acres and a mule) but were swiftly denied it. It also spoke to the modern-day exploitation of Black artists, who drive culture but often don’t reap the full benefits of their influence. Kendrick’s line made it clear—Black culture is the blueprint, and no matter how the system tries to control it, real influence can’t be manufactured.
8. Samuel L. Jackson as Uncle Sam – A Connection to Django Unchained
Samuel L. Jackson’s appearance as Uncle Sam was a direct callback to his role as Stephen in Django Unchained, the loyal house slave who upheld white supremacy. In both portrayals, Jackson represented the systems that keep Black people under control—not just through external oppression, but also through internalized oppression. His presence as Uncle Sam was a biting critique: the U.S. government, like Stephen, has historically worked to maintain the status quo while pretending to act in Black people’s best interest.
Why This Was So Important for the Culture
For decades, the Super Bowl has been a stage where Black artists are expected to entertain without challenging the status quo. Kendrick Lamar shattered that expectation. He used one of America’s most-watched broadcasts to deliver an unfiltered message of Black pride, resistance, and triumph.
This performance wasn’t just about music—it was about history, spirituality, and justice. In a time where critical race theory is under attack, voting rights are being suppressed, and police brutality remains a crisis, Kendrick reminded the world that hip-hop is still the voice of the people.
By bringing the revolution to the Super Bowl, Kendrick Lamar ensured that Black stories, struggles, and victories were impossible to ignore. And that, in itself, is revolutionary.